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Bathroom Sinks and Faucets. All Filters. French Country. Mid-Century Modern. Shabby-Chic Style. In the same week in , the National Literary Trust revealed that only Shall we agree that Lloyd Cole is the coolest teacher in the world? When I recommend books by and about the Mitford Sisters to those who occasionally inquire, I feel like I have improved the world by proxy. Mr Cole, as we would have called him if he was our teacher, improved mine. I think you can see the tendrils of cultural connection winding around my relationship with Lloyd Cole.
I invested. The tunes were pin-sharp and the arrangements made the pieces sound easy. Ha ha. Ha ha! Can you imagine how loud the worlds colliding sounded at that crux in my cultural education? The pop music fed into the films fed into the books fed back into the pop music. Produced by Paul Hardiman in a pre-loved Shoreditch, Rattlesnakes LP and song emerged breezily and toe-tapping without pain of birth, I understand.
I learned how say the name of my new-found favourite screen goddess from Lloyd Cole — obvious despite myself. For the record, Rattlesnakes was one of four tracks out of ten on the austerely-packaged parent album co-written with three other Commotions: in its case, guitarist Neil Clark who also co-parented the gorgeously rhetorical Are You Ready to be Heartbroken? These shared credits speak affirmatively of a meritocratic band, not merely a swoon-generating frontman and props.
Indeed, the Commotions lasted as long as the Commotions were built to last, and avoided going downhill. After three Top 20 albums, all sound, all of a piece, but not all with hit singles they accumulated five Top 40 singles, two of them Top 20 , they split and Lloyd has been solo ever since, collaborative when it suits him, not least with Clark. Footnote 1: I have belatedly discovered that in , The Fall recorded one of their 24 Peel Sessions.
The Commotions recorded none. It began with L. He memorably compared the Commotions to Leicester City — a team in the first division, but one was never quite sure how they had got there, as they seemed more of a division two outfit at best. Is this cool? Is that cool? All these people: are they cool? To me, it means purity. The blessing and the curse with Miles Davis is cool. As with many innovators who bottled the breeze, he gets cooler in posthumous legend.
He was cool because he appeared not to have to try too hard to remain one step ahead of history, when in fact it took a lot of work, which is in itself cool. The functioning heroin addict must find income — his arrests and court appearances only made that trickier, and as well as transcribing scores for money, he also pimped as often as he scrimped.
He remained fashionable as new wave after new wave crashed against his arty shore. His genius became a commodity. But neither commodification nor self-medication could erase or diminish his innate cultural chill, which was in the music. He was cool in his first bebop flush in the late 40s, in the pomp of his mids comeback, with his sextet and collaborators in the early 60s, duly stirring up his Bitches Brew fusion in , then again in rehabilitation in the 80s, style-magazine ready.
Warming up: notes gently teased out of the piano by Bill Evans the only other co-writer credited on Kind of Blue , then a questioning riff played with the double bass of Paul Chambers in echo. The bass and the piano will be our guides throughout the next historic nine minutes and 22 seconds, allowing Miles to get into his space and if not blow the doors off, certainly create plumes of interesting smoke, which I imagine animated like a Pink Panther title sequence.
In the case of So What — note the missing question mark? The lightest beat is maintained on snare and ride cymbal by Jimmy Cobb — no room for showing off at the stool. As is the greedy modern way, Kind of Blue now comes complete with alternate takes, false starts and studio offcuts, but who needs them? Davis, his band and producers have already bottled magic and created an album that is the sound of the 20th Century pivoting on its axis. The photo was taken by my college friend Rob on his single-lens reflex camera and, I feel sure, hand-developed and printed in a dark room, probably at the Royal College of Art.
See: Footnotes This was the summer of , years before mobile phone proliferation and light-years before selfies. Call Rob on Crazy paving which has been lifted, ideal for a building project or as crazy paving, would cover a large area, receiver must load and collect.
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Cases and figures. Figure 1: analogous photograph - Irregular paving Figure 1: analogous photograph - Irregular paving. Case 1: pneumocystis carinii pneumonia demonstrates bilateral areas of ground-glass opacity with reticulation.Apr 11, - Crazy and weird album art from around the world and various genres of music, vintage and modern. See more ideas about Album covers, Album art, Worst album covers pins.